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  <id>urn:lj:insanejournal.com:atom1:clare_dragonfly</id>
  <title>Clare-Dragonfly</title>
  <subtitle>Clare-Dragonfly</subtitle>
  <author>
    <email>gwraig.annwn@gmail.com</email>
    <name>Clare-Dragonfly</name>
  </author>
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  <updated>2008-11-18T18:21:12Z</updated>
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  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:32948</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/32948.html"/>
    <title>Book Review: archy books</title>
    <published>2008-11-18T18:21:12Z</published>
    <updated>2008-11-18T18:21:12Z</updated>
    <category term="book reviews"/>
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    <content type="html">&lt;b&gt;&lt;u&gt;archy and mehitabel&lt;/u&gt; and &lt;u&gt;archyology&lt;/u&gt; by Don Marquis&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I'm not entirely sure how to evaluate these books. They're certainly not my usual fare. In fact, I only read them because my high school boyfriend gave me the second one--I just recently managed to find the first.&lt;br /&gt;&lt;br /&gt;They are poems, or stories or articles constructed like poems, ostensibly written by a cockroach named Archy. Archy writes by flinging himself headfirst onto typewriter keys, so there are no capital letters, though I'm at a loss to explain the lack of punctuation (surely he could at least manage periods?). they chronicle Archy's adventures, as well as those of his friend Mehitabel the cat, and their interactions with other insects, animals, people, and even ghosts. I found them somewhat difficult to follow (probably because they were originally written as newspaper columns, not to be published in a book), and there's certainly no plot, though sometimes there are stories that go on over several installments. However, the characters are amusing and sometimes wise. It's also interesting to see a cockroach's view on Prohibition--the columns were originally written in the 1910s and '20s.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:31909</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/31909.html"/>
    <title>Book Review: The Dreaming Place</title>
    <published>2008-11-02T00:41:36Z</published>
    <updated>2008-11-02T00:41:36Z</updated>
    <category term="book reviews"/>
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    <content type="html">&lt;b&gt;&lt;u&gt;The Dreaming Place&lt;/u&gt; by Charles de Lint&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I was quite surprised to pick up a Charles de Lint book and find it a typical teen fiction novel. Okay, so it wasn't really typical--but it definitely had that vibe, at least in the beginning. I've noticed that a lot of teen fiction, especially from the '80s and early '90s, has a similar feel to it--it's always Normal Kids facing Big Issues that their Parents Don't Understand. I think it's a combination of that and cultural references that I don't get since I probably wasn't born when they were written. &lt;u&gt;The Dreaming Place&lt;/u&gt; has all of these. The protagonists are Nina, a Normal Girl, and Ash, a Normal Punk Girl. After Ash's mother dies and her father leaves, Nina's parents--her aunt and uncle--take her in. Apparently this happened three years after the novel starts, though it feels like a recent change. Nina is having scary dreams in which she's trapped in the bodies of different animals, and blames them on Ash. Ash hates Nina because she's Normal and Boring. There's magic, a few characters recognizable from de Lint's other books, and heartwarming transformations for both girls. Not de Lint's best work, but worth the 134 little pages.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:31521</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/31521.html"/>
    <title>Book Review: Midnight Never Come</title>
    <published>2008-10-28T17:19:33Z</published>
    <updated>2008-10-28T17:19:33Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Midnight Never Come&lt;/u&gt; by Marie Brennan&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I received this book as part of the package that came with my Faeriecon ticket and only started reading it so soon because I didn't have anything else to read on the train home. I expected it to be crowd-pleasing fluff. I was quite pleasantly surprised! The story is set in Elizabethan England, a historical era for which I have a particular love (though I have to say I'm disappointed that Shakespeare didn't make an appearance, since lots of other historical figures did). Brennan has a different take on a faerie court than any other I've encountered--it's a sprawling, mazelike hall set under mortal London. The characters are Lune, a disgraced faerie courtier; Michael Deven, a courtier and spy for Elizabeth; Walsingham, Michael's master; Invidiana, the faerie queen; Tiresias, her seer; Gertrude and Rosamund Goodmeade, brownie sisters who run a faerie inn; John Dee, the mortal magician; and, of course, Gloriana herself.&lt;br /&gt;&lt;br /&gt;The romance I expected is there (between Lune and Michael), but much less of the focus than I would have thought--and indeed, it is quite vital to the plot. The faerie and mortal courts work both with and against each other, and every time I thought I knew how the story would go a new twist would pop up to throw my expectations on their head. The very end was disappointing--it felt contrived--but overall the book is a satisfying, enjoyable, and well-researched ride.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:29818</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/29818.html"/>
    <title>Book Review: The Graveyard Book</title>
    <published>2008-10-09T21:08:25Z</published>
    <updated>2008-10-09T21:08:25Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Graveyard Book&lt;/u&gt; by Neil Gaiman&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;What a delightful book! I read the first chapter of it while waiting for Neil to read the second aloud, then devoured it in the following days, despite having two other books I was reading at the same time--it was hard to put down! It has echoes of classics, including The Jungle Book, The Chronicles of Narnia, and various fairy tales. The main character, Bod, is a living boy raised by ghosts, guarded by a vampire, and tutored by a werewolf. While such dead and undead are the stuff of many stories, including some of Gaiman's others, he puts new and innovative twists on each and every one of them. Bod's adventures growing up would be entertaining enough, but Gaiman injects more drama into the story with the struggle against the Jacks of All Trades, a nefarious organization after Bod's life who end up causing the fulfillment of the very prophecy they sought to thwart. Dave McKean's delightfully creepy illustrations complete the atmosphere and add additional wistfulness to an already bittersweet ending. While &lt;u&gt;The Graveyard Book&lt;/u&gt; is technically considered a children's book, I would heartily recommend it to anyone!</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:28989</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/28989.html"/>
    <title>Book Review: Lady of Avalon</title>
    <published>2008-09-27T23:00:29Z</published>
    <updated>2008-09-28T04:41:45Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Lady of Avalon&lt;/u&gt; by Marion Zimmer Bradley&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This book is really three in one: each tells the story of a Lady of Avalon whose time was pivotal in the fate of Avalon. "The Wisewoman" is Caillean, the first Lady of Avalon, who witnesses the arrival and death of the first modern incarnation of the Pendragon, the sacred king whose right it is to rule over Britain. She also joins forces with the Queen of Faerie (whose half-human daughter Sianna is Caillean's successor) to hide the island of Avalon from the world of men. "The High Priestess" is Dierna, who tries to save Britain, with the help of the Pendragon, from the Roman overlords and Saxon invaders. It is also the story of Teleri, forced, like Igraine later, into an unhappy marriage of state.&lt;br /&gt;&lt;br /&gt;"Daughter of Avalon" is Viviane, whose mother, Ana, is the cold and manipulative Lady of Avalon. She, like Dierna and Sianna, loves the Pendragon--this time the son of Vortigern, one of two rulers who fight for control of Britain. She determines to bring Avalon out of its self-imposed exile, and is beginning to do that when the book ends. But all of these women are also one woman, incarnating again and again, her purpose to do the Goddess' work.&lt;br /&gt;&lt;br /&gt;This book feels more like a transition than anything; I doubt it could stand alone.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:27804</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/27804.html"/>
    <title>Book Review: Crossroads</title>
    <published>2008-08-26T20:43:48Z</published>
    <updated>2008-08-26T20:43:48Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;u&gt;&lt;b&gt;Crossroads and Other Tales of Valdemar&lt;/u&gt;, edited by Mercedes Lackey&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I would have to say that this is my least favorite of the Valdemar short story anthologies. For one thing, I have a serious issue with the title--there is no story called "Crossroads" in the book! Then there's the fact that three of the stories had no reason to be set in the world of Valdemar at all They were interesting stories, but they didn't have to be in this anthology.&lt;br /&gt;&lt;br /&gt;Other stories were really enjoyable, though. I think my favorite was the one set in Karse's distant past--right when the corruption was just beginning. And it was fun to revisit a beloved fantasy world. Actually, it's made me want to reread the books--I haven't touched some of them in years, despite owning most of them. In fact, I only read this one because I was on vacation. &lt;u&gt;The Forest House&lt;/u&gt; was depressing me, and the only other books I'd brought were its sequels! Of the books my mom had brought, &lt;u&gt;Crossroads&lt;/u&gt; was the most appealing.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:27403</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/27403.html"/>
    <title>Book Review: The Forest House</title>
    <published>2008-08-25T01:28:49Z</published>
    <updated>2008-08-25T01:29:22Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Forest House&lt;/u&gt; by Marion Zimmer Bradley&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Since &lt;u&gt;The Mists of Avalon&lt;/u&gt; holds a special place in my Top 5 Favorite Books Ever, I had little doubt but that I would enjoy the first of its prequels, and I was not disappointed. This is another feminist novel, set many years in Avalon's past--so far back, in fact, that there are yet no priestesses on Avalon, and the women instead live in a place called Vernemeton, or the Forest House, established by the Romans to isolate and protect the priestesses after their sanctuary at Mona was cruelly invaded (by the Romans themselves, of course). The main character, Eilan, dreams of being a priestess one day, then falls in love. I really admire the way MZB made the men's control of the women, especially their sexuality, not just an inconvenience or a metaphor but a central part of the plot. The priestesses of the Forest House are only permitted sexual contact with a man if that man is the chosen Year-King, symbolic sacrifice for his people. Eilan must struggle with her choices and few around her believe that she has made the right ones.&lt;br /&gt;&lt;br /&gt;Unlike &lt;u&gt;Mists&lt;/u&gt;, &lt;u&gt;The Forest House&lt;/u&gt; has a male POV character. At the beginning he is rather heroic and quite likable. However, as the novel progresses, he is shown to be more and more flawed and toward the end he really becomes a big jerk. He is redeemed somewhat, and manages to remain sympathetic for a time, but it would be nice to see a more relatable male character. (I do think we get that in the next book.) Besides that and some repetitiveness, though, I have nothing to complain about in this book.&lt;br /&gt;&lt;br /&gt;My favorite character is Caillean, the Assistant to the High Priestess who is later sent to establish a house of priestesses on Avalon. I see in her Raven, Morgaine, Niniane, and especially Viviane--it's easy to find the beginning of a long legacy of manipulative High Priestesses of Avalon. The Merlin also makes an appearance, though not in the guise you might expect, and I'm intrigued to see how the perception of that role changes.&lt;br /&gt;&lt;br /&gt;I wouldn't recommend this book to anyone who didn't like &lt;u&gt;The Mists of Avalon&lt;/u&gt;, and probably not to anyone who hasn't read it--it's a decent stand-alone novel, I think, but gains more depth if you know its future. To anyone who loved &lt;u&gt;Mists&lt;/u&gt; as much as I did, though, I definitely recommend &lt;u&gt;The Forest House&lt;/u&gt;!</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:27089</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/27089.html"/>
    <title>Book Review: Picnic at Hanging Rock</title>
    <published>2008-08-18T19:28:18Z</published>
    <updated>2008-08-18T19:28:18Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Picnic at Hanging Rock&lt;/u&gt; by Joan Lindsay&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I read this book because I saw the movie because I read part of the screenplay. Naturally, the book was my favorite of the three, but I sitll find it difficult to evaluate. While I've heard there is now a version available that has the last chapter included, that's not the version I have! So I still don't actually know how it ends. Hopefully I'll find out someday. The book, despite having been written in the seventies, has a distinct Victorian feel to it. The characters, to my surprise, are all quite fleshed out and compelling. There were a few great scenes that had been left out of the movie, but that I think would have been fantastic additions. My favorite character turned out to be the French governess.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:26243</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/26243.html"/>
    <title>Book Review: The Name of the Rose</title>
    <published>2008-07-20T02:37:56Z</published>
    <updated>2008-07-20T02:37:56Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Name of the Rose&lt;/u&gt; by Umberto Eco&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I'm not entirely sure what I was expecting from this book. Whatever it was, I didn't get it--but I did get something wonderful. According to the introduction, it is a reconstruction (from notes) of a forged translation of a 14th-century manuscript by a Benedictine monk. Of course, it is actually a novel written by the talented Umberto Eco, and a mystery along the lines of Arthur Conan Doyle or Edgar Allan Poe--that is to say, the detective is a logician along the lines of Sherlock Holmes or C. Auguste Dupin. It is narrated by the supposed author of the manuscript, Adso of Melk, a German novice who is traveling with the detective, William of Baskerville, to learn from and assist him. It took me until about halfway through the book to accept that the novel was probably not fantasy--fantastical elements were certainly hinted at, but the style of such a logician does not lend itself to that genre!&lt;br /&gt;&lt;br /&gt;William has been asked to an Italian abbey to help mediate a discussion between two opposing Catholic sects, but when he arrives, he has another task: solve a series of unlikely and possibly mystical murders. This task is made more complicated by the fact that the one place that seems to hold the most answers, the abbey's famous library, is the one place he is not permitted. Like any good detective, he gets his answers anyway. The main mystery plot is intertwined with monastic politics, political intrigues, and intriguing personal relationships. Sometimes the discourses on logic or heresy, which can get quite long, distract from the plot, but they are interesting and the only thing I have to complain about, with the exception of Adso's sometimes irritating lack of judgment, which can easily be excused by his youth. The novel is even, as far as I can tell, quite historically accurate. The monastery itself and most of the characters are fictional, but the politics and the heresies are real, which is quite impressive.&lt;br /&gt;&lt;br /&gt;Unfortunately, I never figured out the import of the title. The last line of the book has the words "name" and "rose" in it, but as it's Latin (which is peppered throughout the monks' speech) I couldn't understand the rest. I naturally think of Shakespeare, but as he writes several centuries after &lt;u&gt;The Name of the Rose&lt;/u&gt; is set and the only meaning I can think of is fairly weak, such a connection seems unlikely.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:25888</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/25888.html"/>
    <title>Book Review: Restoring the Goddess</title>
    <published>2008-07-19T00:57:11Z</published>
    <updated>2008-07-19T00:57:28Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Restoring the Goddess: Equal Rites for Modern Women&lt;/u&gt; by Barbara G. Walker&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I'll be honest: I did not read this entire book. I couldn't stand it. I tried to read as much as I could manage, but eventually had to give up.&lt;br /&gt;&lt;br /&gt;This book is pretty much entirely a polemic against Christianity. I think it mentions the patriarchy of Judaism and also Buddhism a little, but it's mostly about how the Christian Church has been, and still is, keeping women down. Every chapter, from "What's Wrong with Patriarchy?" to "The New Age," focuses on that. There's also a strong veneration of science, which Walker seems to believe is never biased, and always prepared to change. Further, there is a great emphasis on how illogical Christianity is, with no satisfactory explanation as to why believing in the Goddess is any more logical. Such belief may certainly be beneficial, but you should be fair: apply logic equally or don't apply it at all.&lt;br /&gt;&lt;br /&gt;Each chapter is comprised of several pages written by Walker, mostly poorly researched history, and then a number of pages containing anecdotes from women loosely relating to the chapter's topic. I didn't read too many of those. I'm not sure why one would need a book to showcase these things. It doesn't seem to include any women with slightly different perspectives, either.&lt;br /&gt;&lt;br /&gt;If you want to read something by Barbara G. Walker, go for her knitting books. If you want to read about the Goddess, go for &lt;u&gt;The Spiral Dance&lt;/u&gt;. However, if you are a woman who has been knocked about by patriarchal Christianity all her life and want reassurance that you're not alone and there is more out there, I would recommend this book.&lt;br /&gt;&lt;br /&gt;(Oh, and there were no "equal rites" listed. I feel cheated.)</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:24700</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/24700.html"/>
    <title>Book Review: The Welsh Fairy Book</title>
    <published>2008-06-27T01:51:04Z</published>
    <updated>2008-06-27T01:51:04Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;u&gt;&lt;b&gt;The Welsh Fairy Book&lt;/u&gt; by W. Jenkyn Thomas&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Exhibit A: My love of all things Welsh.&lt;br /&gt;&lt;br /&gt;Exhibit B: My obsession with faeries, fairy tales, and folklore in general.&lt;br /&gt;&lt;br /&gt;Exhibit C: The title of this book.&lt;br /&gt;&lt;br /&gt;The defense rests.&lt;br /&gt;&lt;br /&gt;More seriously, this is a fantastic collection. There's a wide variety of fairy tales in it--mostly featuring actual faeries--and I felt that it gave me a really good feeling for Welsh folklore in 1907 (when the book was first compiled). One can't really judge on the literary merit of folktales, but they're well-told, and most are entertaining and intriguing. A few had unexpected similarities to folktales of other cultures that I've encountered, and I would be interested to find out where these tropes originated (if it can be pinned down) and how they passed from one to the other.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:23837</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/23837.html"/>
    <title>Book Review: The Spiral Dance</title>
    <published>2008-06-08T02:09:03Z</published>
    <updated>2008-07-19T04:54:21Z</updated>
    <category term="pagan"/>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Spiral Dance&lt;/u&gt; by Starhawk&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;This book is a classic of paganism and the Goddess movement for a reason, and the twentieth-anniversary edition, which is what I have, is an improvement on the original. I can tell because, except for a few minor things that Starhawk herself was extremely uncomfortable with, the text of the book is the same. The changes, made in both the tenth and twentieth anniversary editions, take the form of endnotes. Most of the problems I had with the text on my first reading were soothed by those notes. Basically, the book is a primer on the form of Feri witchcraft that Starhawk followed/follows. It includes chapters on the God and Goddess, Sabbats, spells, and initiation, among other things. While I do not follow Feri myself, I did agree with many of the beliefs in this book, and found a few that had never occurred to me but that I would like to incorporate into my own faith.&lt;br /&gt;&lt;br /&gt;There were a number of things in the book that I did not agree with, of course. I think the biggest one is Starhawk's constant assertions that witchcraft is a religion. I do not have that view at all. I see witchcraft as a craft, separate from religion. True, the majority of its practitioners are pagan, but one need not be pagan to be a witch, just as one need not be a witch to be pagan. It was also a little disappointing to find that the book mainly focuses on coven work; I'd love to have a coven, but because I don't follow any path that's established outside myself, that's not likely to happen anytime soon.&lt;br /&gt;&lt;br /&gt;I would also like to address the concerns mentioned in other reviews I have read. I have seen many complaints that Starhawk's witchcraft is not Wicca. This is a problem with the reviewers, not the book--she never claims that it is! I have also seen that ubiquitous complaint about anything relating to Goddess worship--that it focuses on women and the Goddess to the exclusion of men and the God. At times this can be a legitimate problem, but it is not so with &lt;u&gt;The Spiral Dance&lt;/u&gt;. I may be somewhat biased as a Goddess worshiper myself, but Starhawk gives equal time to the Goddess and the God. If she focuses on women, it is because there are more women than men involved in feminism and the Goddess movement. She never denigrates men or masculinity. She does focus a big strongly on the heterosexual paradigm and on gender essentialism, but these are corrected in the notes.&lt;br /&gt;&lt;br /&gt;The third complaint I wish to refute concerns history. I saw at least two reviews on Amazon that complained in their titles of the poor history in &lt;u&gt;The Spiral Dance&lt;/u&gt;. Firstly, I do not feel that this is a legitimate complaint to focus on. There is only one chapter that includes history, and it is hardly the main thrust of the book. Secondly, this book was written when both Starhawk and the Goddess movement were quite young. She used the resources available to her. In the endnotes, she readily points out that it is not fully historically accurate, but that it still makes a good myth.&lt;br /&gt;&lt;br /&gt;To sum up: &lt;u&gt;The Spiral Dance&lt;/u&gt; is a good book, well worth reading, especially for Goddess worshipers. Don't be put off by the skeptics--but make sure to read the twentieth anniversary edition, or even wait a year or two, and if we're lucky there will be a thirtieth!</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:23638</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/23638.html"/>
    <title>Book review: The Bloody Chamber</title>
    <published>2008-06-06T21:59:48Z</published>
    <updated>2008-06-06T21:59:48Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Bloody Chamber&lt;/u&gt; by Angela Carter&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This short story collection is mainly retold fairy tales, which is a genre I adore, so I was naturally excited to read this book. Some of the author's takes on fairy tales were quite intriguing. I especially enjoyed the title story, Bluebeard with a quite a twist, and "The Courtship of Mr. Lyon," a sweet Beauty and the Beast. From there, though, it seemed to go straight downhill. The author's overwrought style, peppered with extremely obscure words, was enjoyable at first, but grating on the nerves after several stories. It never seemed to change, and a number of the stories, I felt, would benefit from a different style. Some of the stories had twist endings that made no sense, and some, particularly "The Lady of the House of Love," were just not interesting. (The last may have been more fun when it was first written, when the trope of the reluctant vampire wasn't quite so done.) I do recommend many of the stories if you enjoy the genre, but perhaps one at a time would be better.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:21055</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/21055.html"/>
    <title>Book Review: The Ropemaker</title>
    <published>2008-05-14T16:26:57Z</published>
    <updated>2008-05-14T16:26:57Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Ropemaker&lt;/u&gt; by Peter Dickinson&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;It's hard to articulate why, but this struck me as a very unusual fantasy book almost from the beginning. The story is about Tilja, the elder daughter on a farm where the country's magical defenses are kept up. But the magic is starting to fail, and someone has to venture into the evil Empire to find the man who can refresh them. The characters are tons of fun--Tilja's grandmother, Meena, and two people from the other magic place, Alnor and his grandson Tahl--and the magic is unusual. I wouldn't call the novel a work of genius, but it was a fun read. The one thing that really bothered me--almost throughout the book--was that the characters seemed to take too much for granted. I was very suspicious of certain characters, and it was all explained away too easily. However, I'm utterly fascinated by Tilja's strange ability and wish there were sequels to this. Actually, looking on Amazon, it looks like there is, but it's not about the same characters and frankly I'm confused--it sounds as though it's set in the future &lt;i&gt;and&lt;/i&gt; the past. However, I have also discovered that this author also wrote a book I read many times as a kid, &lt;u&gt;Eva&lt;/u&gt;, about a girl who gets her brain transplanted into the body of a chimp. It's actually really good. Also he's married to Robin McKinley!</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:19354</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/19354.html"/>
    <title>Book Review: Why I Let my Hair Grow Out</title>
    <published>2008-04-02T22:34:03Z</published>
    <updated>2008-04-02T22:34:03Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Why I Let My Hair Grow Out&lt;/u&gt; by Maryrose Wood&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I stopped reading this book (featuring an incredibly obnoxious sixteen-year-old narrator) after a talking horse named Samhain was referred to as "Sam."&lt;br /&gt;&lt;br /&gt;...yeah.&lt;br /&gt;&lt;br /&gt;That's an error I can forgive in ordinary people or new pagans, but not in authors, especially ones who have theoretically researched ancient Ireland fairly extensively in order to write the book.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:19062</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/19062.html"/>
    <title>Book Review: Anansi Boys</title>
    <published>2008-04-02T22:30:32Z</published>
    <updated>2008-04-02T22:30:32Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Anansi Boys&lt;/u&gt; by Neil Gaiman&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Well, I was right about there not being another book like &lt;u&gt;American Gods&lt;/u&gt;; still, this book was pretty delightful. I liked that it was about characters barely mentioned in the prequel--Anansi's sons. Fat Charlie is a memorable and sympathetic character, while Spider is the fascinating sort I'd never want to meet in real life. Rosie, Fat Charlie's fiancee, is also a great character, even if the way their relationship changes over the course of the book is fairly predictable from the beginning. The plot moves by increments that seem implausible from just a chapter away, but, by the time you reach them, are inevitable. Even the villains are fantastic, especially the wonderfully weaselly Grahame Coats. All in all, an excellent, satisfying book, told as only Gaiman can.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:17996</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/17996.html"/>
    <title>Book Review: The Whispering Mountain</title>
    <published>2008-03-24T17:17:09Z</published>
    <updated>2008-03-24T17:17:09Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Whispering Mountain&lt;/u&gt; by Joan Aiken&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This was an interesting little fantasy novel. I enjoyed it, and somehow it had the feel of a classic, but I'm not quite sure what to make of it. It was set, I believe, in the early 19th century--the date was never made quite clear, and as one review described it, it is "unhistorical," so a sot of it doesn't make sense for 19th-century Wales anyway. I suppose I should say I quite liked the plot, the stolen harp and the strange groups of characters running about and meeting up in new configurations trying to find it, but the peripheral aspects seemed a bit off. It was quite silly, but didn't always seem to be aware of its own silliness. And then the ending, which I won't reveal but is decidedly &lt;i&gt;not&lt;/i&gt; silly, rather threw me off. Oh, and the villain reminded me quite strongly of Voldemort. I wonder if J. K. Rowling's read this.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:16515</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/16515.html"/>
    <title>Book Review: The Merry Wives of Windsor</title>
    <published>2008-03-20T02:04:13Z</published>
    <updated>2008-06-08T02:14:59Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;The Merry Wives of Windsor&lt;/u&gt; by William Shakespeare&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Ah, Shakespeare. What could there possibly be to complain about? I have just one thing: it would be so much better on stage. This is a hilariously funny play, full of sex and deception, but text is not an ideal way to consume it. While some of the jokes wouldn't make sense were it not for the glosses, that sort of thing is easier to pass quickly by on stage, and it's such a physical play that it would be vastly improved by being able to &lt;i&gt;see&lt;/i&gt; the characters. I'm glad I read it, but now I know that I should absolutely snatch any chance I get to see it performed.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:16378</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/16378.html"/>
    <title>Book Review: Howl's Moving Castle</title>
    <published>2008-03-20T01:59:35Z</published>
    <updated>2008-03-20T01:59:35Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Howl's Moving Castle&lt;/u&gt; by Diana Wynne Jones&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Having not seen the movie, I wasn't sure what to expect of this book--in fact, I thought that, like &lt;i&gt;Spirited Away&lt;/i&gt;, it would start out in our world and move into a fantasy world. I was delighted to find that it was the other way around! (Okay, I won't give too much away--but it &lt;i&gt;does&lt;/i&gt; take place partially in our world.) The main character, Sophie, is the eldest of three, and in this fairytale world, that means she's sure to amount to nothing. And in fact it seems to have disastrous consequences when the Witch of the Waste comes and puts a curse on her for no apparent reason. But Sophie sets out to seek her fortune, and finds one quite unexpected and fun.&lt;br /&gt;&lt;br /&gt;This book was quite an enjoyable read. There were a few plot holes, or at least spots where the story didn't seem to quite follow its own logic, and parts of the story were rather predictable, but I enjoyed it all the same. The characters especially were fantastic. I particularly admire Diana Wynne Jones' ability to create a character--Howl--who is both extremely flamboyant and inarguably heterosexual!</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:15665</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/15665.html"/>
    <title>Book Review: American Gods</title>
    <published>2008-03-02T00:40:36Z</published>
    <updated>2008-03-02T00:41:43Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;American Gods&lt;/u&gt; by Neil Gaiman&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;It's hard to say much about any of Gaiman's work beyond "Gaiman is a genius." But I'll try! This novel is quite, quite delightful. The characters are real and complete, the premise--the old god of religion warring against the new gods of technology--is compelling, and the plot is both surprising and masterfully crafted. I don't think there could ever be another book lite this--and I say that knowing that there is a sequel. The only bad thing I have to say about this book is that the end left me feeling a bit adrift, and I suspect that was done on purpose.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:14833</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/14833.html"/>
    <title>Book Review: Cradle to Cradle</title>
    <published>2008-02-09T02:58:40Z</published>
    <updated>2008-02-09T03:01:50Z</updated>
    <category term="environment"/>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Cradle to Cradle&lt;/u&gt; by William McDonough and Michael Braungart&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This book sets forth the principles of eco-effectiveness. Basically, the authors argue that being &lt;i&gt;less bad&lt;/i&gt; is not enough: we must create products and buildings that are &lt;i&gt;actively good&lt;/i&gt; for the environment, people's lives, and businesses as well. Instead of following a traditional cradle-to-grave paradigm, in which products are designed to last until they are worn out and then thrown "away," products should be designed to go from cradle to cradle. All components should not only be safe, they should be food: either biological or technical nutrients--recoverable in such a way that they can either be used to nourish the earth or can be upcycled, used to create products of the same or better quality as their previous incarnations.&lt;br /&gt;&lt;br /&gt;This book simultaneously makes me really happy and makes me really sad. The former is because I love these concepts and they sound like a great, viable way to stop and even reverse the harm we've been doing to our environment. The latter is because I don't think they'll ever be widely adopted. One that seems particularly useless is the idea of products of service, which is having people sort of lease items like carpets, televisions, and solar panels, so that they can be returned to the company and their components recovered. It's a great idea in theory, but people like to own things. I can't imagine that any but the most environmentally conscious will do this. Some principles are obviously (from their examples) being adopted by some companies, which is great, but what about all the others? The authors can't innovate for every company out there. Can anyone else do it and will they be willing to try?&lt;br /&gt;&lt;br /&gt;There's also the fact that I feel rather helpless. I don't see what &lt;i&gt;I&lt;/i&gt; can do to help. I wish I was an architect, an engineer, or a chemist... but I'm not, and I have no idea how to apply these principles. All I can think of to do within my vocation--writing--is to write stories set in a utopia in which all of these concepts are in effect, and even then, I think I'd have to be pretty vague about it. (I guess I could also go for a dystopia in which we've destroyed our environment. That's something I could probably do real research for.) At least I was a bit affirmed by the end, in which the language strongly implies that the book is intended for business owners and others who can do something, and not necessarily for ordinary people like me to read.&lt;br /&gt;&lt;br /&gt;I guess the one concrete thing I can do is to get my sister to read this book. She's a business student, and she cares about the environment. Maybe she'll get some ideas out of it, and maybe she'll pass it on to her friends.&lt;br /&gt;&lt;br /&gt;This is for an Environmental Reading Group on campus, so I may have more to say after the discussion.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:14271</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/14271.html"/>
    <title>Book Review: Bone</title>
    <published>2008-02-06T04:17:24Z</published>
    <updated>2008-02-06T04:17:24Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Bone&lt;/u&gt; by Jeff Smith&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I read a few pages of the beginning of this comic when they were in Disney Adventures magazine. I really liked it then, and had been hoping to find a copy of the book for some time. Well, now I have, and I have to say--wow! It's so much more than I expected it to be. Like with webcomics and other serially published stories, I have to wonder how much the author knew or planned from the beginning. Was this sweeping fantasy epic in the works when I read about three cousins run out of Boneville and met a talking leaf bug and a cow-racing grandmother, or did it evolve as Smith wrote? Either way, it is extremely successful at moving from humble beginnings to a world-changing tale. Sometimes, with such things as the "lost princess" theme, it does seem a bit stereotypical, but the characters and the storytelling make up for it.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:13652</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/13652.html"/>
    <title>Book Review: Tam Lin</title>
    <published>2008-01-31T05:37:32Z</published>
    <updated>2008-01-31T05:37:32Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Tam Lin&lt;/u&gt; by Pamela Dean&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;In the ballad of &lt;i&gt;Tam Lin&lt;/i&gt;, the daring Janet is warned not to go to Carterhaugh (which she or her father owns) but does anyway. There she meets Tam Lin, who takes the promised pledge and leaves her with child. She learns that he is to be a sacrifice of the Faerie Queen, but she can and does rescue him.&lt;br /&gt;&lt;br /&gt;Pamela Dean's retelling of this classic story is set in a small college in the Midwest in the early seventies. The role of the novel's main character is clear: her name, after all, is Janet Carter. The rest of the story, however, unfolds with intriguing slowness. She does meet a boy named Thomas Lane, but they are both dating other people, and her relationship with Nick Tooley seems so perfectly ordinary it's hard to question. Other things aren't so perfectly ordinary, such as the mysterious Fourth Ericson ghost, the strange behavior of many members of the Classics department, and the fact that Janet can't seem to think about them when she's on campus. The plot, moving through the four years of Janet's college attendance, moves so slowly that at times it seems not to be moving at all, but the characters and situations are so wonderful that it doesn't matter.&lt;br /&gt;&lt;br /&gt;Finally, in the fall of Janet's senior year, everything falls into pace. I won't give away the ending, but I will say that everything I expected to happen does happen, in a perfectly wonderful and wholly unpredictable way. The verdict? An exquisite book that every lover of fantasy and English major should read ASAP. I'll certainly be rereading it when I get a chance.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:12757</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/12757.html"/>
    <title>Book Review: Darkhenge</title>
    <published>2008-01-14T01:54:53Z</published>
    <updated>2008-01-14T01:54:53Z</updated>
    <category term="book reviews"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Darkhenge&lt;/u&gt; by Catherine Fisher&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Some fantasy authors seem to rely too much on their readers &lt;i&gt;not&lt;/i&gt; knowing the myths that inspire their stories. This one seemed to have promise--the back matter made me think that the main character Rob's comatose younger sister Chloe had gone into Faerie, and I got even more excited when the novel opened with the term "The Cauldron-Born" and a quote from &lt;i&gt;The Book of Taliesin&lt;/i&gt;. That was the high point, though. Taliesin shows up, but doesn't seem especially trustworthy. This impression makes me want even more to root for his antagonist, Clare, who is also the goddess Ceridwen. But she  doesn't seem very trustworthy, either; in fact, the only person who does is the priest, Mac, Rob's godfather. He seems to know more than he should, and this is never explained--in fact, a lot is never explained, from how Rob (the POV character) suddenly knows Dr. Kavanagh's first name to, despite repeated hints that it is significant, the identity of the King of the Unworld. Returning to my original point, the author also seems to take strange liberties with the Taliesin legend and stories of the Underworld. So much, in fact, that I think I would have enjoyed it more were it stripped of its mythological references. I just don't understand the point of having them if you're barely going to use them. I also would have been more content if I only vaguely knew the myths and didn't expect anything based on them. So overall, not an awful book, but one I certainly wouldn't recommend.</content>
  </entry>
  <entry>
    <id>urn:lj:insanejournal.com:atom1:clare_dragonfly:12468</id>
    <link rel="alternate" type="text/html" href="http://clare-dragonfly.insanejournal.com/12468.html"/>
    <title>Book Review: Heirloom Knitting</title>
    <published>2008-01-14T01:46:09Z</published>
    <updated>2008-01-14T01:46:09Z</updated>
    <category term="book reviews"/>
    <category term="knitting"/>
    <category term="security: public"/>
    <content type="html">&lt;b&gt;&lt;u&gt;Heirloom Knitting&lt;/u&gt; by Sharon Miller&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This book is a true classic of lace knitting, and with good reason. It's chock-full of useful, interesting information about Shetland lace knitting, in addition to the patterns. I kind of skimmed over the sections on wool, but was pleased to see that it had information on other fibers as well. Lots of fun lace patterns--projects as well as motifs--and help for creating one's own. I can't wait to knit some of the patterns from this book. I love lace!</content>
  </entry>
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